Kindness and faithfulness keep a king safe, through kindness his throne is made secure. There it stands today, its dark oak meeting our idea of what a masterpiece of carving should look like: expressing the medium in which it was made. Thus, Leofric became the last diocesan Bishop of Crediton and the first Bishop of Exeter. Constructed on an unprecedented scale the throne is described by Nikolaus Pevsner as "the most exquisite piece of woodwork of its date in England and perhaps in Europe". He came to the cathedral where he occupied the Bishop’s Throne while his declaration of peaceful intent was read.
More were painted on the backs of the bishop’s chair and the two seats flanking it (a step lower). Many bishops have sat in this ceremonial seat and on one occasion it was used by a future King of England. Exeter’s canopied throne takes the cake. That accounts for later statements that it was made of marble, for it must have looked like a Gothic steeple brought indoors and richly coloured. It was made in the early 14th century using local Devon oak and is 18m (59ft) tall. Yet, when it was finished we must picture it as of very different appearance.
Not all medieval architects are anonymous, for we know that in charge of this project was Master Thomas of Witney. After landing in Brixham, Prince William of Orange entered Exeter on 9 November 1688. There are generic voluted trefoils and the occasional ballflower. Exeter Cathedral: The Bishop's Throne Of international importance, the 14th century bishop's throne in Exeter Cathedral is another of the city's most significant artifacts. He was a brave administrator and in his time the cathedral was growing apace – before plague struck, while income was buoyant and the architectural style of a kind pleasing to our eyes. I have attributed the Copyright holder on all images when known. If any Copyright holders wish to have their Copyright image removed then please contact me. Manage cookies. The cathedral records contain details about the felling of the trees and the preparation of the timber. Carving on the canopy is partly vegetable. Man begann mit der niedrigen Ostkapelle, der sog. Kapitelhaus) angebaut (12701280). Der gotische Neubau erfolgte ab 1224. We are lucky to have it. The magnificent Bishop’s Throne is one of the greatest treasures of medieval woodwork in Europe. He had worked on St Stephen’s chapel at Westminster, and to him must be credited the delightful nodding ogee arches of the ground-floor storey of the throne-canopy. Zur gleichen Zeit wurde am Südquerhaus das Chapter-House (dt. In 1669, the visiting secretary to the Duke of Tuscany mistakenly wrote that it was “formerly (as was the custom in ancient times) the Pix of the most holy Sacrament”. See the link below for more info. From fragments that remain, it is apparent that the whole structure was painted in blue, red and green, with gilding on a gesso ground. It is a magnificent 18 metres (59 feet) high! It was made taller during its building (as analysis of the structure shows) on the orders of Bishop Walter Stapeldon, who reigned from 1303 to 1326.